Weekend of local rock volume 74

October 28, 2018 · Posted in Delmarva items, Local Music, Personal stuff · Comments Off on Weekend of local rock volume 74 

This will be a unique post in the WLR annals because I’m going to depart from chronological order.

As I noted the other day in discussing the AWF, I wasn’t there as long as I had been in the past – so out of six bands listed here I only saw the last two.

By the schedule in front of me, we came while The Haymans were playing.

These guys really looked cold. “Yeah, a ‘second season’ outdoor show – that should be fine!” Uh-huh.

While this duo plays often about town, this was the first time I saw The Haymans. I call it a duo because there’s two of them, but they also incorporate a backing track into their set to provide the rhythm section. That was a bit distracting and somewhat a bummer because I like watching musicians play.

Now if you liked watching a lot of women who had sampled the grape dance, this band was just the ticket.

I don’t know how many consecutive years they’ve done it, but I’m certain that some people go to the AWF on Sunday just to see On The Edge close it out.

If it was that “funky music” recorded between oh, maybe 1964 and 1994, and you can dance to it, On The Edge most likely plays it. And the fun part (besides watching the lead singer test out the limits of his wireless microphone circulating through the crowd) was seeing the migration up front.

This is almost the same shot I used Friday to show where everyone was at 3:00. They were waiting to dance it off.

The guy in the red Phillies regalia by the sound board? Yeah, he’s the singer next to the few dozen already shaking their groove thing. Pay attention to the picnic table at photo right.

Fast forward about a half-hour…

You probably couldn’t walk through up front by this point. Just two left at the table…

…and now they’re gone too. Had to join the rest of their crew.

On the way out I met up with Jim Mathias, who was coming in to sing with these guys. He thanked me for being engaged (presumably in the political realm) so I thank him for supporting local music, which is much better for the sanity in this current climate.

Maybe this current climate needs a dose of part 2 of this piece. As I said, I usually work in chronological order but in this case I saved the best for last. I’ve often bent the “local rock” definition to fit national acts playing local shows, and the AWF weekend kicked off with a trio of Christian artists at the Civic Center. Here are some of my favorite shots from the concert featuring MercyMe, Tenth Avenue North, and Tim Timmons.

Timmons was the opening act, and while he only played three songs he got some assistance from the headliners at the end.

First up was Tim Timmons, a walking miracle: he was given five years to live with his cancer 14 years ago.

A little help from his friends.

Tenth Avenue North is a high-energy group. It’s unfortunate that I couldn’t get a good shot of the singer milling through the crowd.

I really only got one good shot of Tenth Avenue North, but this was a cool moment too.

I actually liked them a shade more than I did MercyMe, but to each his or her own.

This was from the opening song MercyMe did.

Maybe the best shot I got all night comes from MercyMe.

We ended up doing the Happy Dance to close out the night. It was a long show – 7:30 until almost 11.

They were doing the Happy Dance in the Civic Center as the confetti blasted out.

So that, folks, was the weekend in local rock.

Weekend of local rock volume 73

October 27, 2018 · Posted in Delmarva items, Local Music · Comments Off on Weekend of local rock volume 73 

For this installment I return with a look at some of the music from the Good Beer Festival. Unfortunately I missed the more enticing (to me) half of the music on Friday evening – a lineup that featured The Permilla Project, Anthony Calamoneri, Uprizing, and Petting Hendrix.

These festivals always provide a helpful musical guide. It makes the job of a blogger so much easier.

So the first act of my day there was the solo artist Winship.

Winship is a solo artist, but he set a pretty good mood for beer tasting.

What I will say about him is that he was good, but not particularly memorable good. I think part of that was getting my food while he was playing, which meant I wasn’t always close by the stage. He would have been a good fit for the old “bar stage,” which used to be a home for acoustic acts before they consolidated stages. I guess I’ll go with “elevated but easygoing style.”

Next up was the band billed as the Mark DeRose Band.

The sign said Mark DeRose Band, but Mark said it was Dreadnought Brigade. I like that better anyway.

Dreadnought Brigade was the band I actually got to sit down and listen to, and I enjoyed them. While they did a sampling of originals, they made a lot of friends by putting a good spin on classics like The Way It Is (the old Bruce Hornsby song), Jet Airliner (Steve Miller) and a neat version of the Johnny Cash tune Ring of Fire.

The next band may have grown up listening to Johnny Cash, but they were far more modern.

I was talking to someone when Six Pack Rodeo came out. If the name didn’t give them away, the hats did.

I gotta be honest with you…modern country isn’t my cup of tea. They went over with me like a can of Bud Light would in the middle of this beer festival. Yeah, I remember Six Pack Rodeo playing a Skynard cover but I had pretty much tuned them out by the time I left. I’m sure they’re nice guys and solid musicians but I wasn’t into it.

Like I said, Friday presented the better musical options, although as part of what seemed like excessive cost cutting they dropped a half-hour of music off each day of the GBF (not to mention the dual stages a couple years back.) But one thing I can say is that they avoided using overly local bands for the Saturday show as two hailed from Virginia and one from Pennsylvania. (Speaking of bands from the Keystone State, it’s a shame that Smokin’ Gunnz is no more because they would have filled that last slot really well.)

So the next WLR installment for tomorrow talks about the Autumn Wine Festival, but I will have a special (and appropriate for the day) added surprise.

Weekend of local rock volume 72

July 8, 2018 · Posted in Delmarva items, Local Music · Comments Off on Weekend of local rock volume 72 

Normally this (more and more) occasional series talks about local groups in a local setting, but it’s not unprecedented for me to discuss a group that’s from outside our region. Such is the case with the subject of this particular volume, which featured a new venue to me and a somewhat different style than I’m used to. But it all worked out in the end.

Let’s start with a little bit of backstory. A few weeks back 88.7 The Bridge (a local Christian music radio station) began promoting an outdoor concert which would be held at Trap Pond State Park just outside Laurel, Delaware. As it turns out, this was just one of a weekly series of concerts the park hosts there each Saturday night, weather permitting. (Other Delaware state parks have concerts on other nights of the week.) So this was a chance for the station to come out and greet some of their listeners, too.

The Bridge had its van, tent, and swag all set to go. Certainly they were pleased with the results.

Perhaps it was an opportunity or just happenstance, but the group Consumed By Fire decided to come up from their native Oklahoma to play this one-off show. And I would have to say it was a rousing success, based on the crowd.

Not surprisingly, at a gathering of Christians at dinnertime the Chick-fil-A line was long.

This isn’t the best crowd shot I had, either. According to The Bridge, over a thousand people were at this show.

About a half-hour into the show I went to the front (stage right) and took this shot.

To warm the crowd up, Mark Dickey of The Bridge went up to introduce the band and toss out some spare swag.

The Bridge’s Mark Dickey came up to introduce the band, which started right on time.

The band itself is a trio of brothers, with the oldest being lead guitarist Joshua Ward.

Lead guitarist Joshua Ward. He was sort of the Bill Wyman of the group – then again, he is the oldest.

Jordan Ward is normally the drummer, but he also came out from behind the kit for reasons I’ll get into in a bit.

Jordan started out behind the drums, but took center stage when it was time to deliver the message.

You would know these three are children of a pastor once you heard them get going. Most outspoken was middle brother Jordan.

Youngest is keyboardist and acoustic man Caleb Ward.

For the first several songs Caleb sang from behind the keyboard.

Then for the acoustic part of the set, he made the band a two-guitar trio.

Much of what they played came off their latest release “Giving Over,” which came out in 2016. The band also did an EP a year earlier called “Lean On Me,” the title track of which was the song that led off the show.

As I alluded to in the caption for Caleb above, the first five songs or so were done with him on keyboard before Caleb shifted to acoustic guitar and Jordan stepped out to play a beat box.

A shot of the full band. This photo is by Kim Corkran.

After a trio of songs, including one with a great story behind it called Hold The Rain, we found out that preaching is a talent that can be passed on.

The message was from Hebrews 8, which coincidentally was also the subject of our sermon at my church last week – it’s the chapter that describes the new covenant between man and God.

For this is the covenant that I will make with the house of Israel after those days, saith the Lord; I will put my laws into their mind, and write them in their hearts: and I will be to them a God, and they shall be to me a people:

And they shall not teach every man his neighbour, and every man his brother, saying, Know the Lord: for all that know me, from the least to the greatest.

For I will be merciful to their unrighteousness, and their sins and their iniquities will I remember no more.

In that he saith, A new covenant, he hath made the first old. Now that which decayeth and waxeth old is ready to vanish away. (Hebrews 8:10-13, KJV)

It’s interesting how that works, and becomes another sign of the day’s blessings and presence.

First of all, for the entire week beforehand they were calling for showers and thunderstorms for most of that Saturday. It did rain a little that day and threatened for much of the afternoon, but by the time we left for the show it was a very pleasant evening. Wonder why?

Next, after we arrived and got settled in, we chatted with our “neighbors” who were sitting next to us. Since the lady had brought the umbrella, I commented to this complete stranger “well, now we don’t have to worry about Murphy’s Law.” Ask yourself what the odds are of their last name actually being… Murphy? With that icebreaker out of the way, we found out my wife and her had another commonality as they are both nurses.

Maybe the only bad thing about the show was its relative briefness – Consumed By Fire was done before 7:45 after a 6:30 start. But they made up for it by hanging out at a crowded merch table.

Lot of shorts, CDs, and bags were sold from this table. I suspect gas money back to Oklahoma was no problem.

So out of all this we got some nice swag, my wife has a photo with and autographed CD from the band, we made a couple new friends, and – most importantly – according to The Bridge over 20 people came to know Jesus Christ as their personal Savior as a result of the show. In terms of achievement, that is a good evening all around because the people went home happy.

Weekend of local rock volume 71

November 4, 2017 · Posted in Delmarva items, Local Music · 2 Comments 

To tell you how long I have been out of circulation regarding the local music scene, consider this is my first WLR post in over a year. Sometimes things in life change, and honestly I haven’t been in the same frame of mind in the last few years as I was when I built up a lot of this series.

But Kim and I had an invite we decided to take and as it developed I decided a post was in order. The band in question was a band I’ve seen 3/4 of on several different occasions, the most recent at the last (to date, anyway) Concert for a Random Soldier held in 2016. (That event wasn’t held in 2017 due to a venue issue – otherwise I would have done a WLR sooner.)

So here we were, traveling an hour to hang with a batch of Kim’s co-workers and friends at this nice place.

I’ll add more commentary about the venue at the end, but let me first introduce you to a band you probably already know if you’re from the area, Nothin’ But Trouble.

There are many, many hundreds of bands around the country who toil on a nightly basis playing other peoples’ songs. But the ones who stick out in your mind are the ones that play things you may not hear every day and play them well – or, they play a song you don’t know too much about and make it entertaining. The point where I decided to make this a post was the latter.

In the seldom-played depths of my CD collection is the second release from BulletBoys, called “Freakshow.” (That was the follow-up to the self-titled debut with Smooth Up In Ya.) On it is a song called Talk To Your Daughter which, as I rapidly figured out from the fact these guys were playing it, wasn’t written by them. (It was written in the 1950s by blues guitarist J.B. Lenoir.) There are literally thousands of songs out there like this a band could adopt as their own, and NBT took a few for themselves. Hey, if George Thorogood can do it…actually, there was someone there last night with a GT shirt on.

Then when they sang one of my favorite opening lyric lines in rock: “I pulled into Nazareth/I was feelin’ ’bout a half past dead” (a song from The Band called The Weight) I figured this would be an enjoyable evening. A late dinner turned into most of their three-hour scheduled gig with no break and songs like Crossroads (with a slow-tempo open), Folsom Prison Blues interlaced with Man Of Constant Sorrow, Papa Was A Rolling Stone, Pride And Joy, and so forth. No doubt: these weren’t paint-by-numbers renditions.

So count me in as a fan. And Kim said afterward “I wondered if you would like that type of music.” Well, since rock and metal are predominantly blues-based, of course I would. They’ve been stealing the chords and progressions for a half-century or more.

I don’t know if this belongs to the venue or the band, but the sound was well-done. It was audible but you could talk at your table without screaming, and we were basically 40 feet from the stage. They had a series of ceiling-mounted acoustic dampeners which helped because the place is pretty much hard-surfaced otherwise.

The other selling point to Bethany Blues?

As I pointed out on social media, any place that has 16 Mile Blues Golden Ale on tap is a winner in my book. The food was good, too.

So who knows? Maybe I won’t go a year until my next installment – although, in the interest of full disclosure, my recent phone issues negated a planned post on bands at the Good Beer Festival last month.

An evening (and day) at the Wicomico County Fair in pictures and text

August 22, 2017 · Posted in All politics is local, Business and industry, Campaign 2018, Delmarva items, Personal stuff, Politics · Comments Off on An evening (and day) at the Wicomico County Fair in pictures and text 

While its root event, the former Wicomico Farm and Home Show, would have celebrated its 80th anniversary last year, the Wicomico County Fair officially celebrated its third edition in the county’s sesquicentennial year. As I sometimes do, this post will meander between photos and text to tell its story.

We actually attended all three days of the WCF, although Friday was just for a brief stop to see how our photos did.

Do you see the purple ribbon signifying Best in Show? One of mine is next to that on the left, just one of the also-rans. Kim had two of hers place in their categories, but that was about it between the three of us. I thought I had some nice photos, but I guess the judges liked others better.

So that was the extent of our Friday, although our daughter stayed to watch the concert (from local boy gone Nashville Jimmy Charles) and fireworks.

Now that we knew the fate of our entries, we came back on Saturday to see one of our favorite events at the WCF, Cowboy Mounted Shooting.

When the WCF became a fair in 2015, this was an event that was brought in. It’s probably the biggest draw they have as the bleachers are usually well-filled to watch this competition, which is one of a handful of fairs the local Mason Dixon Deputies group does around the region. Of the evening shots I took I thought this was the best.

Once the competition stage was over – each runs about an hour, give or take – I decided to get off my behind and walk around.

I did so only to find that a lot of the WCF was hidden across the road behind the rides.

I found several vendors and some other attractions not easily found by the casual visitor.

Because the Cowboy Mounted Shooting runs its own soundtrack (a surprising mix of country, classic rock, and a little bit of other stuff) I didn’t hear the bands until I was almost on top of them. This one was called Rip Tide, which played a few classic rock staples to close their act.

As we had a bite to eat from the (somewhat limited) selection of vendors back there, this group called Swamp Donkey took the stage as we ate. They were in the same vein as a number of albums I’ve reviewed over the last couple years – sort of a mix of country, Americana, and roots rock. The band sure put a spin on Pink Floyd, though.

This photo was just a cool shot that provides a transition break.

On Sunday we were there before noon in order to hear Pastor Oren Perdue preach, with a message gleaned from the Book of Amos. It’s not one of the more studied books, but he made the message interesting. (If your child attends the Summer Fun camp at Salisbury Baptist, you’ll know who Pastor Perdue is because he runs the Friday evening rodeo. That’s how Kim met him.)

Since we started from the side I’d seen the evening before, we made our way back. This train wasn’t doing much, nor had it the evening before.

I noticed the ride price had been changed to “free,” which helps make a point I’ll return to in a bit.

And if it’s a agricultural event in this county, you’ll see one company there almost every time.

I liked this truck better, though.

That blue-and-yellow Perdue label was found a lot, not to mention the orange and green of competing tractor companies, too.

The orange ones did more work, as their local outlet was a sponsor of the mounted shooting.

The state of Maryland even had its nose in with an agriculture RV.

Cops on one side, fish on the other: the state was well-represented.

You could even find a few non-native beasts.

And here’s a clash of cultures: a cowgirl on her smart phone.

Day 2 of the CMS competition was packing them in again. And I swear I didn’t touch the second shot, but I used it solely because that point of light was in a rather interesting place.

Yet the mounted shooters weren’t the only equestrians there, as much of the grounds were taken up for more traditional competition.

And I don’t think there’s much call to remove this plaque from their venue.

Nor would it be a fair without barnyard animals.

Look, I grew up in a rural county so I’m aware of the extent 4-H is still popular among the youth here. Inside the Carriage House was their competition field (as well as that for the rest of us) in arts, crafts, and yummy looking items from the gardens and kitchens of Wicomico County.

I was disappointed by the truck show, though. It wasn’t what I was expecting – these would have been nice additions to some classic old restored Big Three trucks and maybe a few Jeeps and imports. Not just a handful of work trucks.

And while it wasn’t unexpected, we arrived too late on Saturday to see LG Boyd Rutherford. In fact, I really didn’t see many candidates pressing the flesh at the WCF when I was there, even though the local GOP was in its usual place. Most of them participated in the Saturday afternoon parade, then skipped out to other events, I guess.

The only candidate with a regular presence there was Jamie Dykes, a Republican running for State’s Attorney. Granted, she was very diligent about being there and engaging voters.

Next year, however, the joint will be crawling with them. I wonder if they will resurrect the buffalo chip tossing I once participated in as someone on the ballot to be elected.

But if I were to make a suggestion for next year, it would be to somehow better tie in the two sides of the fair. Because of the lay of the land, the poor vendors on the east side of the road had hardly any foot traffic (and at least one I spoke to complained about the lack of it.) Maybe the rides need to go at the very end, with the beer garden and vendor row placed closer to the center. In fact, I was told by city councilman Muir Boda (who I did see there) that the dunking booth the Jaycees were sponsoring was vandalized overnight on Saturday. So something needs to be done about that issue.

Once they got through the sauna of Friday evening (and the monsoon that followed, luckily after the fair ended) though, the weather turned out near-perfect. It looked like they had great crowds, the likes of which I haven’t seen before at the Fair (or especially its predecessor Farm and Home Show, which was about on its last legs.) So if they can get the siting issue fixed for next year (a large map would definitely help!) they may have a strong event worthy of the county it represents.

Weekend of local rock volume 70

July 24, 2016 · Posted in Delmarva items, Local Music, Personal stuff · Comments Off on Weekend of local rock volume 70 

As I did from last month, I’m building on 3rd Friday to provide another edition of WLR. But in this installment I’ll profile a local group doing good through music.

The “official” 3rd Friday group playing on the Plaza stage was a Salisbury University-based group called The Benchwarmers, who I would say had more of a jazz feel than straight up rock. But they won the right to play through a battle of the bands, so here they were.

I still haven’t figured out the idea of the painting being created behind the group, but to each his or her own, I guess.

Now if you stood in just the right spot, you could hear the Plaza stage in one ear while Alex & Shiloh played in the other one, outside at Roadie Joe’s.

The management at Roadie Joe’s has definitely picked up on the concept of having outside live music during 3rd Friday and bringing in business, as the outside tables are generally filled. (Kim and I ate there last month, as I noted in WLR 69.) It’s nice because if the main stage doesn’t strike your fancy you can browse on over to that end of the Plaza.

I didn’t stay for the Roadie Joe’s nightcap act this time because I knew I would be back downtown the next night for a benefit called “Fire Up the Bands,” sponsored by the Maryland-8 chapter of Hogs and Heroes, a motorcycling group dedicated to supporting military and first responders.

While there were originally three bands on the bill, a late change cut things down to two. Meanwhile, there was a silent auction going on and the leadership of Hogs and Heroes was giving away door prizes between bands.

But the evening began with a group I had just seen at the Concert for a Random Soldier a couple months back, Scrapple.

After noting the sudden passing of Lewes firefighter Tim McClanahan in a training accident, Scrapple played a hard-rocking set that featured songs like the Black Crowes’ Remedy, Love Removal Machine from The Cult, Godsmack’s Keep Away, and Pearl Jam’s Even Flow, just to name a few. They also found time for an original song of theirs, which I thought was cool.

Once Scrapple finished, I went outside to stretch my legs, see some bikes, and watch the sun set over a cloudy downtown. There was a rain shower that passed harmlessly by during the show.

The second band on the bill was Lime Green, which I know has a number of originals to its credit based on their online presence. But they chose to play just one, their most recent called Pemberton Park.

Yet Lime Green still had a lot of unique musical ideas, like buttressing the old Pink Panther Theme into Pink Floyd, playing forgotten classics like The Ballad of Curtis Loew by Lynard Skynard or Snortin’ Whiskey by the Pat Travers Band, and absolutely blowing me away with their closer originally done by Rush. I never thought I would hear the first part of 2112 done as a cover, but they did Overture/The Temples of Syrinx. Damn, that was cool. I’m still smiling thinking about it.

Because the original intention was to have three bands, Scrapple came out and played a second set that started with Rush as well. But as they did when I saw them previously, they took Working Man and transitioned it into War Pigs by Black Sabbath. Their second set was heavier and more modern, with songs from Buckcherry, Marilyn Manson, Staind, and Tool among the selections.

But they got a little help when they went retro blues and did One Way Out, a song made popular by the Allman Brothers.

There was also a fun drum solo toward the end.

If I have one thing to say about Headquarters Live as a venue, though, I have to say that taking pictures in there is a royal pain with a cell phone camera. Unless you catch the lights just right, they come out awful. The best pics I had were with the doors open when it was still light out, which is why you get one photo of Lime Green.

But my night wasn’t done. A friend of mine has been bugging me to see his band, so I went back over to Roadie Joe’s to catch Copious Poor.

While they admitted they needed to get a sound person, the selection of songs was pretty good. I particularly enjoyed their rendition of a song I have occasionally used the video from on this site, Bound for the Floor by Local H. (You may see it again November 9.)

So once again it was a good weekend of local rock for firefighters that can always use a helping hand. It reminded me that local bands are among the quickest to respond when there’s a need to lend their talents for a good cause – or just to make an evening a little better.

Weekend of local rock volume 69

June 26, 2016 · Posted in Delmarva items, Local Music · Comments Off on Weekend of local rock volume 69 

Unlike a number of the most recent previous renditions for this long-running series, this will feature four performers at three different venues in and around downtown Salisbury on consecutive days last weekend. It would have been five but the featured group from the local Academy of Music Performance was just wrapping up when we arrived.

So I wasn’t intending to do a WLR when we decided to eat outside at Roadie Joe’s afterward, but it turned out Kaleb Brown was playing and you know me – I like listening to music and taking pictures.

So it was just Kaleb, his guitar, and his beatbox (that would drive some of the dogs still around from 3rd Friday crazy) and that reggae sound he likes to do. Good dinner music on a lovely summer evening.

I think the band wasn’t supposed to start until 10 but they got an early start. We had just finished our dinner and were ready to leave when we decided to stay for a couple songs from Naked Nation that turned into half a set.

Naked Nation seemed to have a little different playlist than other cover bands, doing a wide range of songs that are not really classic rock and range more toward Top 40 alternative stuff. But the people were getting into it.

So Saturday came and I decided to head back downtown for the Salisbury Shore Craft Beer Festival. Headlining the event was Eastern Electric.

Now I like Eastern Electric, but it didn’t dawn on me that there was a band also playing in Headquarters Live called Billy Earl and the Pink Flamingos. So I checked out the location and the band.

Admittedly, their style of music isn’t my cup of tea – but it does allow them to put a different flavor on songs like Chris Isaak’s Wicked Game. They can still make it sound hauntingly lonely.

Meanwhile, back at the Beer Fest Eastern Electric was doing their set mixing covers from several eras and some originals.

One of those was their closing song (and one I really like) called To Heaven Before The Devil. “I hope to get to Heaven/Before the Devil knows I’m dead.” It’s a rollicking mix of rock, blues, and country that represents the band pretty well. And as Eastern Electric singer Nate Clendenen put it, last Saturday was a nice occasion to hang out downtown – they’ve been trying to redevelop it “since I was in fifth or sixth grade” and it finally is taking root.

So it was truly a weekend of local rock, as all the bands came from this part of Delmarva. It’s worth reminding people that our little corner of the world has musical talent. All it needs now is the audience to appreciate it.

2016 Salisbury Shore Craft Beer Festival in pictures and text

June 19, 2016 · Posted in Business and industry, Delmarva items, Personal stuff · 1 Comment 

It was a perfect day to be downtown and try a few local craft beers, so I went to the inaugural Salisbury Shore Craft Beer Festival (SSCBF) held downtown along the Riverwalk. (The Salisbury designation distinguishes it from a similar event with the same sponsor in Ocean City, the first of which was held last October.) It was also billed as a “Riverwalk Celebration” and while they are renovating it, there’s still some work in progress.

To be fair, I was looking west from the Division Street bridge and most of the Riverwalk lies east of the structure. But this was the site chosen for the festival.

Early on I thought the crowd was a little bit meager. I took this photo about 2:00, a half-hour after the gates were opened for general admission. (VIP ticket holders could get in at 12:30.)

One area where the festival will have room to grow is the food selection. The Division Street bridge served as a mini-food court.

As time went on, though, the crowds thickened a little bit. This photo was taken from along the river looking toward the stage.

One thing that I got to take advantage of was making my first visit to Headquarters Live, which was a nice place to sit down. There wasn’t a tent with picnic tables set up on the main festival site.

Now if you had the entry in the pool that said the first band I would see there would be called Billy Earl and the Pink Flamingos, you would be right – but I would have called you nuts.

I’ll have much more on them as well as Eastern Electric on the mobile stage when I do a “Weekend of local rock” post later this week, but suffice to say Headquarters Live is a smaller venue than I imagined. Yet the festival was shrewd in tying the outdoor stage and indoor venue together, with a separate wristband for each. This gives them a logical area for expansion beyond the small parcel that was used across Division Street and along the river.

As it was, there was a comfortable amount of people in the park where you didn’t feel like you were tripping over anyone yet there was enough to give the event some energy. Unlike the Good Beer Festival, which is held in a secluded location outside of town, people could readily walk in from outside but they could not sample the beer. Another asset was the fact that it was all local breweries – none of those mainstream brewers that are still considered crafters like Sam Adams or Blue Moon which come to the Good Beer Festival from afar. This will limit the event’s size to some extent as the area can only support so many breweries and expanding to markets farther and farther away will run them into stiff competition from their local crafters. There were twelve area breweries represented at the SSCBF, pouring around 30 beers as well as a couple of tea concoctions.

I think the event was rather successful considering it was held at a time when few other events off the beach seem to succeed. Most of our larger local festivals actually occur during what’s considered “shoulder season” before Memorial Day or after Labor Day. (April and October are the favored months.) In this case, the SSCBF was up against the OC Air Show and the end of the Firefly Music Festival as well as at a time when Salisbury University isn’t in regular session, so there were a lot of distractions. It may succeed a little more a week earlier or a week later, but this isn’t a bad summer event.

So we will see what happens next year and find out how much more of the Riverwalk they take advantage of.

Weekend of local rock volume 68

June 18, 2016 · Posted in Delmarva items, Local Music, Personal stuff · Comments Off on Weekend of local rock volume 68 

I’m about two weeks late on this, but it’s better late than never when it comes to the Concert for a Random Soldier held back on Memorial Day weekend.

There were over a dozen bands on the bill, but we arrived about halfway through the event so we missed some of the acts that I remember as more of the oldies groups. (One thing about CRS: many of the same bands participate year after year.) So we walked in on Scrapple – it’s not just for breakfast anymore, but they were a first-time participant who enjoyed the affair.

They were probably one of the first to play the heavier stuff, doing some Godsmack and a great mashup of Rush’s Working Man and War Pigs by Black Sabbath. I would have liked the solo at the end of Working Man to make it a circular medley, but no matter.

As the stage was reset between bands, there were acoustic acts set up off to the side. Captain Mike was one of those who did a couple stints.

In this case, he yielded to the Joey Fulkerson Trio, which is the three-piece variant of Nothin’ But Trouble.

They reached back into a blues-based set that featured some B.B. King and wrapped up with the Jimi Hendrix classics Hey Joe and Voodoo Child. That was an enjoyable set as the fellas were jamming.

After the return of Captain Mike, the stage was set up for Welcoming War.

They were definitely a power trio, with the additional distinction of not having a lead singer. So all of the songs were instrumental.

In that respect it was much like listening to jazz – which is also often instrumental – but with rock instruments. It was a unique sort of a heavy metal/jazz fusion that I think I can get into because I don’t much care for jazz but heavy metal sometimes needs a different take.

The mood shifted for the final acoustic act of the day-turned-evening, Mike and Savannah Shockley.

Savannah did a credible job on a Stevie Nicks classic, but she really did well with the couple originals they did. It’s interesting that some of their music is programmed while the remainder is live, as you can see. Obviously this can be done in a professional manner as I’ve reviewed a lot of albums put together by one person, a handful of instruments, and a computer, so we will see how they develop.

From what I understand this was their second gig, so Savannah will learn over time and performance just what songs work for her and which ones she should avoid.

There was no avoiding the heavy from the last act of the day, Modern Day Addiction.

Blasting their way through a bevy of covers like TNT, Fuel, Dio’s Holy Diver, and a great version of Tainted Love, a song made famous a quarter-century ago by Soft Cell, they also threw in some great original stuff. The mosh pit was in full effect while they were playing, even if it was only a couple people.

There have been a couple years where the company was ready to go by the time MDA played, so I was glad to stick around this time.

Of all the acts and all the love they had for the cause, though, there was one thing sadly missing. My friends Jim and Michele Hogsett used to play this event annually, whether as part of Semiblind or as solo performers (and sometimes both.) Regular readers of mine know Michele lost her battle with cancer late last year (WLR volume 67 covered her memorial concert) and it’s hit Jim hard, so keep him in your thoughts and prayers. I definitely missed him at CRS, and I’m sure the Cliftons did too.

But they promise “a few exciting changes” for next year, so I hope to see you out there. Great music for a great cause is always good.

As a programming note: you won’t have to wait as long for WLR volume 69. It will truly be a weekend full this time.

Weekend of local rock volume 67

January 16, 2016 · Posted in Delmarva items, Local Music, Personal stuff · Comments Off on Weekend of local rock volume 67 

Over the years I’ve noticed the local music community is more than willing to help out and I’ve been to several of these benefits over the years. But last Saturday it was time to assist one of their own and pay tribute to a special woman who was a great example of this willingness to help out her community.

In December Michele Hogsett finished her seven-year battle with breast cancer. Some may know her as the lead singer of Semiblind and the duo Dog & Butterfly, others as DJ Siren, and still others as the woman who put together the annual (Save the) BreastFest until this past year when she became too ill to continue. But four bands volunteered their time to help her husband Jim out with all the expenses incurred.

The board I began the post with was one of several that were placed in the venue. They are a great memorial in photos to Michele’s life so I’ll use them to divide this piece up.

I got there about a half-hour late, so I arrived about halfway through Fish Whistle’s set.

The trio, which has a former member of Semiblind in drummer Mike Edgerton, played a set heavy with Pink Floyd and Van Halen, among a host of other favorites. They set a good tone for the rest of the show.

If you can’t read the banner behind them, I’ll let you know Black Tide Rising was the next band up.

They were a little heavier on 1970s stuff, but they had help from Susan Witchey (who sings for the band Witches Brew) on the old Grand Funk Railroad classic I’m Your Captain (Closer to Home).

BTR also included some songs you don’t hear every day, such as Silent Running by Mike & the Mechanics. It was funny because he said he’d buy a drink for anyone who knew the song – I could remember the title but had to Google the band.

The Breakers were the penultimate band for the evening. They went back another decade, starting out with a Beatles song. Soon after, Susan was helping them out with much of the set.

Speaking of cool cover tunes, I seem to recall their last song was Hymn 43 by Jethro Tull. Years ago a friend of mine gave me the record – still have that vinyl somewhere in a closet.

There were a few cool things available in a silent auction, too.

Between these and the 50/50 raffles, there was a nice amount raised. During the breaks, we also heard from some friends of Michele and Jim who gave testimonials to her character. One piece of news that cheered me was the vow to bring back BreastFest after last year’s hiatus. It was a great part of Delmarva Bike Week and had become a recognized auxiliary event.

The last band of the night was Lime Green. Is this shot rock and roll or what?

I just love that dry ice fog machine.

I will also tell you that the lighting and sound at the OC House of Rock was very well done. They really, really loved that green lighting for Lime Green (naturally.)

Lime Green did a veritable potpourri of songs, everything from TLC’s Waterfalls to Folsom Prison Blues. Susan jumped in for some on their set as well.

They also played an original they’re planning on shooting a video for this spring at Pemberton Park outside Salisbury. So what is it called? Pemberton Park, of course.

Afterward, a lot of people stuck around to wish Michele’s husband Jim well. Jim didn’t bring his guitar for this show, but I’m hopeful he can carry on with his music as the grieving process continues. While Semiblind was better known as a cover band, Jim and Michele wrote and recorded a number of originals as well. Maybe Michele’s legacy can carry on as the inspiration for new music.

No use letting cancer defeat two talents, I say.

Weekend of local rock volume 66

October 25, 2015 · Posted in Delmarva items, Local Music · Comments Off on Weekend of local rock volume 66 

(As opposed to Order 6-D6, a long-defunct local group I really liked.)

I’m not going to stretch the definition of local too much with this much more brief look back at the Autumn Wine Festival, but it will do a lot of bending to the rock part. Here’s the six-band lineup over the two days.

We  got things underway with alex&shiloh, who perhaps were the most conventional acoustic group there insofar as style and playlist. I think they have done the bar stage at the Good Beer Festival, which is a handy measuring stick for that sort of thing. You’ll have to deal with the sun-splashed photos – the stage faces more or less northwest so the sun is behind it most of the day.

They yielded to the familiar local strains of Randy Lee Ashcraft. He’s been around long enough to become a legend around these parts by being not quite country but not so much rock, either. Just good listening, I guess.

Last up on a pleasant Saturday was Front Page News, which cranked out a number of familiar tunes.

They had the biggest crowd of the weekend.

Sunday started with its perennial opening act, the Backfin Banjo Band. They always start out with standards and take requests.

Instead of playing the middle on Saturday as they did last year, Such Fools played their unique style on Sunday.

We wrapped things up with the danceable On The Edge, and we needed something to dance to just to stay warm as the temperature struggled to get above 50 and we endured a couple brief showers while they were up.

Originally I thought the Sunday lineup was exactly the same as last year, but upon further review I found Such Fools switched days. Still, out of six bands three were holdovers from 2014. In fact, it seems like the turnover for the event is shrinking, and the last non-local act they took a chance with was Tim Reynolds and TR3 two years ago. Certainly I’m the first to support local music, but variety is the spice of life and the AWF used to bring in some interesting acts – onetime Bad Company touring bassist Paul Cullen played here a few years back, as I recall.

By design the Autumn Wine Festival features many of the same Maryland-based vineyards year after year. But does it have to keep the same bands, too?

Weekend of local rock volume 65

October 23, 2015 · Posted in Delmarva items, Local Music · Comments Off on Weekend of local rock volume 65 

I know it’s been awhile since I’ve done one of these, and what once was a monthly (or sometimes weekly) feature is down to two or three a year. As a guy I know would say, that’s a shame.

I also know it’s unusual to have WLR on a weekday, but this weekend I’m going to take a break from politics and do an all-music weekend – WLR today and Sunday sandwiching a music review tomorrow. Next week you may get the treat of two because I have a backlog of music to review. Besides a somewhat humdrum municipal election, it’s a quiet political time right now.

I’m starting with an event that’s become somewhat of a musical dynamo thanks to its two-stage setup, the Good Beer Festival. It featured twelve acts, with the bar stage primarily hosting acoustic acts while the main stage had full bands.

Bear in mind I also work the event so I don’t get to hear every song. Some of these are more detailed than others, but I always like to lead with the schedule to help keep track.

So I begin with the acoustic stylings of Phil Portier, who opened up on the bar stage. I will say I knew the Joe Jackson song he opened with so I could insert the “where?” at the proper place.

On the other end as Phil wrapped up was Paper To Planes, an acoustic duo hailing all the way from Kansas City.

I believe Don Adler was playing the GBF for the second or third time. But I didn’t get to see him play the unusual instrument at his feet.

Sam Birchfield was the first group where I noticed the merch table.

The Coteries at the bar stage also had merch. The New Jersey-based trio was disappointed they didn’t get to enjoy more of the event because of New Jersey traffic. They have several shows set up, which you’ll see if you look closely.

Wrapping up things on Saturday were local favorites Uprizing.

Having a local group to close in the prime slot was a little unusual. Previously they had reserved it for an up-and-coming band touring the region. I’m not sure if this will be a trend, but I liked the old approach better.

Whiskeybelly got Sunday started with an acoustic/electric combo – and a couple broken strings, which they laughed about.

On the other side, the GBF went country with the local group Haleytown – population 5. (The sign is a neat touch.)

Chris Diller set CDs and stickers at each table, and hoped people would fill the guitar case.

It always intrigues me how a guy can play so many instruments at once – needless to say, I can’t carry a tune in a bucket.

On the main stage was the group I thought stole the show, Sub-Radio Standard. It was the group I would have expected to close out Saturday.

Ken Wenzel was the headliner, if you will, of the bar stage. He played songs off the CD.

The Will Overman Band did their country best to wrap things up. I wish I had slipped around backstage to get a photo of “Big Red” – a 1970 Chevy Suburban they tour in.

So I was a little loose with the definition of “rock” in this one. Next year may be the year to just put the rock bands on Saturday and the country stuff on Sunday, since it seems to be getting about equal billing now.

On Sunday I look at the music from the Autumn Wine Festival.

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