Weekend of local rock volume 71

November 4, 2017 · Posted in Delmarva items, Local Music · 2 Comments 

To tell you how long I have been out of circulation regarding the local music scene, consider this is my first WLR post in over a year. Sometimes things in life change, and honestly I haven’t been in the same frame of mind in the last few years as I was when I built up a lot of this series.

But Kim and I had an invite we decided to take and as it developed I decided a post was in order. The band in question was a band I’ve seen 3/4 of on several different occasions, the most recent at the last (to date, anyway) Concert for a Random Soldier held in 2016. (That event wasn’t held in 2017 due to a venue issue – otherwise I would have done a WLR sooner.)

So here we were, traveling an hour to hang with a batch of Kim’s co-workers and friends at this nice place.

I’ll add more commentary about the venue at the end, but let me first introduce you to a band you probably already know if you’re from the area, Nothin’ But Trouble.

There are many, many hundreds of bands around the country who toil on a nightly basis playing other peoples’ songs. But the ones who stick out in your mind are the ones that play things you may not hear every day and play them well – or, they play a song you don’t know too much about and make it entertaining. The point where I decided to make this a post was the latter.

In the seldom-played depths of my CD collection is the second release from BulletBoys, called “Freakshow.” (That was the follow-up to the self-titled debut with Smooth Up In Ya.) On it is a song called Talk To Your Daughter which, as I rapidly figured out from the fact these guys were playing it, wasn’t written by them. (It was written in the 1950s by blues guitarist J.B. Lenoir.) There are literally thousands of songs out there like this a band could adopt as their own, and NBT took a few for themselves. Hey, if George Thorogood can do it…actually, there was someone there last night with a GT shirt on.

Then when they sang one of my favorite opening lyric lines in rock: “I pulled into Nazareth/I was feelin’ ’bout a half past dead” (a song from The Band called The Weight) I figured this would be an enjoyable evening. A late dinner turned into most of their three-hour scheduled gig with no break and songs like Crossroads (with a slow-tempo open), Folsom Prison Blues interlaced with Man Of Constant Sorrow, Papa Was A Rolling Stone, Pride And Joy, and so forth. No doubt: these weren’t paint-by-numbers renditions.

So count me in as a fan. And Kim said afterward “I wondered if you would like that type of music.” Well, since rock and metal are predominantly blues-based, of course I would. They’ve been stealing the chords and progressions for a half-century or more.

I don’t know if this belongs to the venue or the band, but the sound was well-done. It was audible but you could talk at your table without screaming, and we were basically 40 feet from the stage. They had a series of ceiling-mounted acoustic dampeners which helped because the place is pretty much hard-surfaced otherwise.

The other selling point to Bethany Blues?

As I pointed out on social media, any place that has 16 Mile Blues Golden Ale on tap is a winner in my book. The food was good, too.

So who knows? Maybe I won’t go a year until my next installment – although, in the interest of full disclosure, my recent phone issues negated a planned post on bands at the Good Beer Festival last month.

An evening (and day) at the Wicomico County Fair in pictures and text

August 22, 2017 · Posted in All politics is local, Business and industry, Campaign 2018, Delmarva items, Personal stuff, Politics · Comments Off on An evening (and day) at the Wicomico County Fair in pictures and text 

While its root event, the former Wicomico Farm and Home Show, would have celebrated its 80th anniversary last year, the Wicomico County Fair officially celebrated its third edition in the county’s sesquicentennial year. As I sometimes do, this post will meander between photos and text to tell its story.

We actually attended all three days of the WCF, although Friday was just for a brief stop to see how our photos did.

Do you see the purple ribbon signifying Best in Show? One of mine is next to that on the left, just one of the also-rans. Kim had two of hers place in their categories, but that was about it between the three of us. I thought I had some nice photos, but I guess the judges liked others better.

So that was the extent of our Friday, although our daughter stayed to watch the concert (from local boy gone Nashville Jimmy Charles) and fireworks.

Now that we knew the fate of our entries, we came back on Saturday to see one of our favorite events at the WCF, Cowboy Mounted Shooting.

When the WCF became a fair in 2015, this was an event that was brought in. It’s probably the biggest draw they have as the bleachers are usually well-filled to watch this competition, which is one of a handful of fairs the local Mason Dixon Deputies group does around the region. Of the evening shots I took I thought this was the best.

Once the competition stage was over – each runs about an hour, give or take – I decided to get off my behind and walk around.

I did so only to find that a lot of the WCF was hidden across the road behind the rides.

I found several vendors and some other attractions not easily found by the casual visitor.

Because the Cowboy Mounted Shooting runs its own soundtrack (a surprising mix of country, classic rock, and a little bit of other stuff) I didn’t hear the bands until I was almost on top of them. This one was called Rip Tide, which played a few classic rock staples to close their act.

As we had a bite to eat from the (somewhat limited) selection of vendors back there, this group called Swamp Donkey took the stage as we ate. They were in the same vein as a number of albums I’ve reviewed over the last couple years – sort of a mix of country, Americana, and roots rock. The band sure put a spin on Pink Floyd, though.

This photo was just a cool shot that provides a transition break.

On Sunday we were there before noon in order to hear Pastor Oren Perdue preach, with a message gleaned from the Book of Amos. It’s not one of the more studied books, but he made the message interesting. (If your child attends the Summer Fun camp at Salisbury Baptist, you’ll know who Pastor Perdue is because he runs the Friday evening rodeo. That’s how Kim met him.)

Since we started from the side I’d seen the evening before, we made our way back. This train wasn’t doing much, nor had it the evening before.

I noticed the ride price had been changed to “free,” which helps make a point I’ll return to in a bit.

And if it’s a agricultural event in this county, you’ll see one company there almost every time.

I liked this truck better, though.

That blue-and-yellow Perdue label was found a lot, not to mention the orange and green of competing tractor companies, too.

The orange ones did more work, as their local outlet was a sponsor of the mounted shooting.

The state of Maryland even had its nose in with an agriculture RV.

Cops on one side, fish on the other: the state was well-represented.

You could even find a few non-native beasts.

And here’s a clash of cultures: a cowgirl on her smart phone.

Day 2 of the CMS competition was packing them in again. And I swear I didn’t touch the second shot, but I used it solely because that point of light was in a rather interesting place.

Yet the mounted shooters weren’t the only equestrians there, as much of the grounds were taken up for more traditional competition.

And I don’t think there’s much call to remove this plaque from their venue.

Nor would it be a fair without barnyard animals.

Look, I grew up in a rural county so I’m aware of the extent 4-H is still popular among the youth here. Inside the Carriage House was their competition field (as well as that for the rest of us) in arts, crafts, and yummy looking items from the gardens and kitchens of Wicomico County.

I was disappointed by the truck show, though. It wasn’t what I was expecting – these would have been nice additions to some classic old restored Big Three trucks and maybe a few Jeeps and imports. Not just a handful of work trucks.

And while it wasn’t unexpected, we arrived too late on Saturday to see LG Boyd Rutherford. In fact, I really didn’t see many candidates pressing the flesh at the WCF when I was there, even though the local GOP was in its usual place. Most of them participated in the Saturday afternoon parade, then skipped out to other events, I guess.

The only candidate with a regular presence there was Jamie Dykes, a Republican running for State’s Attorney. Granted, she was very diligent about being there and engaging voters.

Next year, however, the joint will be crawling with them. I wonder if they will resurrect the buffalo chip tossing I once participated in as someone on the ballot to be elected.

But if I were to make a suggestion for next year, it would be to somehow better tie in the two sides of the fair. Because of the lay of the land, the poor vendors on the east side of the road had hardly any foot traffic (and at least one I spoke to complained about the lack of it.) Maybe the rides need to go at the very end, with the beer garden and vendor row placed closer to the center. In fact, I was told by city councilman Muir Boda (who I did see there) that the dunking booth the Jaycees were sponsoring was vandalized overnight on Saturday. So something needs to be done about that issue.

Once they got through the sauna of Friday evening (and the monsoon that followed, luckily after the fair ended) though, the weather turned out near-perfect. It looked like they had great crowds, the likes of which I haven’t seen before at the Fair (or especially its predecessor Farm and Home Show, which was about on its last legs.) So if they can get the siting issue fixed for next year (a large map would definitely help!) they may have a strong event worthy of the county it represents.

Weekend of local rock volume 70

July 24, 2016 · Posted in Delmarva items, Local Music, Personal stuff · Comments Off on Weekend of local rock volume 70 

As I did from last month, I’m building on 3rd Friday to provide another edition of WLR. But in this installment I’ll profile a local group doing good through music.

The “official” 3rd Friday group playing on the Plaza stage was a Salisbury University-based group called The Benchwarmers, who I would say had more of a jazz feel than straight up rock. But they won the right to play through a battle of the bands, so here they were.

I still haven’t figured out the idea of the painting being created behind the group, but to each his or her own, I guess.

Now if you stood in just the right spot, you could hear the Plaza stage in one ear while Alex & Shiloh played in the other one, outside at Roadie Joe’s.

The management at Roadie Joe’s has definitely picked up on the concept of having outside live music during 3rd Friday and bringing in business, as the outside tables are generally filled. (Kim and I ate there last month, as I noted in WLR 69.) It’s nice because if the main stage doesn’t strike your fancy you can browse on over to that end of the Plaza.

I didn’t stay for the Roadie Joe’s nightcap act this time because I knew I would be back downtown the next night for a benefit called “Fire Up the Bands,” sponsored by the Maryland-8 chapter of Hogs and Heroes, a motorcycling group dedicated to supporting military and first responders.

While there were originally three bands on the bill, a late change cut things down to two. Meanwhile, there was a silent auction going on and the leadership of Hogs and Heroes was giving away door prizes between bands.

But the evening began with a group I had just seen at the Concert for a Random Soldier a couple months back, Scrapple.

After noting the sudden passing of Lewes firefighter Tim McClanahan in a training accident, Scrapple played a hard-rocking set that featured songs like the Black Crowes’ Remedy, Love Removal Machine from The Cult, Godsmack’s Keep Away, and Pearl Jam’s Even Flow, just to name a few. They also found time for an original song of theirs, which I thought was cool.

Once Scrapple finished, I went outside to stretch my legs, see some bikes, and watch the sun set over a cloudy downtown. There was a rain shower that passed harmlessly by during the show.

The second band on the bill was Lime Green, which I know has a number of originals to its credit based on their online presence. But they chose to play just one, their most recent called Pemberton Park.

Yet Lime Green still had a lot of unique musical ideas, like buttressing the old Pink Panther Theme into Pink Floyd, playing forgotten classics like The Ballad of Curtis Loew by Lynard Skynard or Snortin’ Whiskey by the Pat Travers Band, and absolutely blowing me away with their closer originally done by Rush. I never thought I would hear the first part of 2112 done as a cover, but they did Overture/The Temples of Syrinx. Damn, that was cool. I’m still smiling thinking about it.

Because the original intention was to have three bands, Scrapple came out and played a second set that started with Rush as well. But as they did when I saw them previously, they took Working Man and transitioned it into War Pigs by Black Sabbath. Their second set was heavier and more modern, with songs from Buckcherry, Marilyn Manson, Staind, and Tool among the selections.

But they got a little help when they went retro blues and did One Way Out, a song made popular by the Allman Brothers.

There was also a fun drum solo toward the end.

If I have one thing to say about Headquarters Live as a venue, though, I have to say that taking pictures in there is a royal pain with a cell phone camera. Unless you catch the lights just right, they come out awful. The best pics I had were with the doors open when it was still light out, which is why you get one photo of Lime Green.

But my night wasn’t done. A friend of mine has been bugging me to see his band, so I went back over to Roadie Joe’s to catch Copious Poor.

While they admitted they needed to get a sound person, the selection of songs was pretty good. I particularly enjoyed their rendition of a song I have occasionally used the video from on this site, Bound for the Floor by Local H. (You may see it again November 9.)

So once again it was a good weekend of local rock for firefighters that can always use a helping hand. It reminded me that local bands are among the quickest to respond when there’s a need to lend their talents for a good cause – or just to make an evening a little better.

Weekend of local rock volume 69

June 26, 2016 · Posted in Delmarva items, Local Music · Comments Off on Weekend of local rock volume 69 

Unlike a number of the most recent previous renditions for this long-running series, this will feature four performers at three different venues in and around downtown Salisbury on consecutive days last weekend. It would have been five but the featured group from the local Academy of Music Performance was just wrapping up when we arrived.

So I wasn’t intending to do a WLR when we decided to eat outside at Roadie Joe’s afterward, but it turned out Kaleb Brown was playing and you know me – I like listening to music and taking pictures.

So it was just Kaleb, his guitar, and his beatbox (that would drive some of the dogs still around from 3rd Friday crazy) and that reggae sound he likes to do. Good dinner music on a lovely summer evening.

I think the band wasn’t supposed to start until 10 but they got an early start. We had just finished our dinner and were ready to leave when we decided to stay for a couple songs from Naked Nation that turned into half a set.

Naked Nation seemed to have a little different playlist than other cover bands, doing a wide range of songs that are not really classic rock and range more toward Top 40 alternative stuff. But the people were getting into it.

So Saturday came and I decided to head back downtown for the Salisbury Shore Craft Beer Festival. Headlining the event was Eastern Electric.

Now I like Eastern Electric, but it didn’t dawn on me that there was a band also playing in Headquarters Live called Billy Earl and the Pink Flamingos. So I checked out the location and the band.

Admittedly, their style of music isn’t my cup of tea – but it does allow them to put a different flavor on songs like Chris Isaak’s Wicked Game. They can still make it sound hauntingly lonely.

Meanwhile, back at the Beer Fest Eastern Electric was doing their set mixing covers from several eras and some originals.

One of those was their closing song (and one I really like) called To Heaven Before The Devil. “I hope to get to Heaven/Before the Devil knows I’m dead.” It’s a rollicking mix of rock, blues, and country that represents the band pretty well. And as Eastern Electric singer Nate Clendenen put it, last Saturday was a nice occasion to hang out downtown – they’ve been trying to redevelop it “since I was in fifth or sixth grade” and it finally is taking root.

So it was truly a weekend of local rock, as all the bands came from this part of Delmarva. It’s worth reminding people that our little corner of the world has musical talent. All it needs now is the audience to appreciate it.

2016 Salisbury Shore Craft Beer Festival in pictures and text

June 19, 2016 · Posted in Business and industry, Delmarva items, Personal stuff · 1 Comment 

It was a perfect day to be downtown and try a few local craft beers, so I went to the inaugural Salisbury Shore Craft Beer Festival (SSCBF) held downtown along the Riverwalk. (The Salisbury designation distinguishes it from a similar event with the same sponsor in Ocean City, the first of which was held last October.) It was also billed as a “Riverwalk Celebration” and while they are renovating it, there’s still some work in progress.

To be fair, I was looking west from the Division Street bridge and most of the Riverwalk lies east of the structure. But this was the site chosen for the festival.

Early on I thought the crowd was a little bit meager. I took this photo about 2:00, a half-hour after the gates were opened for general admission. (VIP ticket holders could get in at 12:30.)

One area where the festival will have room to grow is the food selection. The Division Street bridge served as a mini-food court.

As time went on, though, the crowds thickened a little bit. This photo was taken from along the river looking toward the stage.

One thing that I got to take advantage of was making my first visit to Headquarters Live, which was a nice place to sit down. There wasn’t a tent with picnic tables set up on the main festival site.

Now if you had the entry in the pool that said the first band I would see there would be called Billy Earl and the Pink Flamingos, you would be right – but I would have called you nuts.

I’ll have much more on them as well as Eastern Electric on the mobile stage when I do a “Weekend of local rock” post later this week, but suffice to say Headquarters Live is a smaller venue than I imagined. Yet the festival was shrewd in tying the outdoor stage and indoor venue together, with a separate wristband for each. This gives them a logical area for expansion beyond the small parcel that was used across Division Street and along the river.

As it was, there was a comfortable amount of people in the park where you didn’t feel like you were tripping over anyone yet there was enough to give the event some energy. Unlike the Good Beer Festival, which is held in a secluded location outside of town, people could readily walk in from outside but they could not sample the beer. Another asset was the fact that it was all local breweries – none of those mainstream brewers that are still considered crafters like Sam Adams or Blue Moon which come to the Good Beer Festival from afar. This will limit the event’s size to some extent as the area can only support so many breweries and expanding to markets farther and farther away will run them into stiff competition from their local crafters. There were twelve area breweries represented at the SSCBF, pouring around 30 beers as well as a couple of tea concoctions.

I think the event was rather successful considering it was held at a time when few other events off the beach seem to succeed. Most of our larger local festivals actually occur during what’s considered “shoulder season” before Memorial Day or after Labor Day. (April and October are the favored months.) In this case, the SSCBF was up against the OC Air Show and the end of the Firefly Music Festival as well as at a time when Salisbury University isn’t in regular session, so there were a lot of distractions. It may succeed a little more a week earlier or a week later, but this isn’t a bad summer event.

So we will see what happens next year and find out how much more of the Riverwalk they take advantage of.

Weekend of local rock volume 68

June 18, 2016 · Posted in Delmarva items, Local Music, Personal stuff · Comments Off on Weekend of local rock volume 68 

I’m about two weeks late on this, but it’s better late than never when it comes to the Concert for a Random Soldier held back on Memorial Day weekend.

There were over a dozen bands on the bill, but we arrived about halfway through the event so we missed some of the acts that I remember as more of the oldies groups. (One thing about CRS: many of the same bands participate year after year.) So we walked in on Scrapple – it’s not just for breakfast anymore, but they were a first-time participant who enjoyed the affair.

They were probably one of the first to play the heavier stuff, doing some Godsmack and a great mashup of Rush’s Working Man and War Pigs by Black Sabbath. I would have liked the solo at the end of Working Man to make it a circular medley, but no matter.

As the stage was reset between bands, there were acoustic acts set up off to the side. Captain Mike was one of those who did a couple stints.

In this case, he yielded to the Joey Fulkerson Trio, which is the three-piece variant of Nothin’ But Trouble.

They reached back into a blues-based set that featured some B.B. King and wrapped up with the Jimi Hendrix classics Hey Joe and Voodoo Child. That was an enjoyable set as the fellas were jamming.

After the return of Captain Mike, the stage was set up for Welcoming War.

They were definitely a power trio, with the additional distinction of not having a lead singer. So all of the songs were instrumental.

In that respect it was much like listening to jazz – which is also often instrumental – but with rock instruments. It was a unique sort of a heavy metal/jazz fusion that I think I can get into because I don’t much care for jazz but heavy metal sometimes needs a different take.

The mood shifted for the final acoustic act of the day-turned-evening, Mike and Savannah Shockley.

Savannah did a credible job on a Stevie Nicks classic, but she really did well with the couple originals they did. It’s interesting that some of their music is programmed while the remainder is live, as you can see. Obviously this can be done in a professional manner as I’ve reviewed a lot of albums put together by one person, a handful of instruments, and a computer, so we will see how they develop.

From what I understand this was their second gig, so Savannah will learn over time and performance just what songs work for her and which ones she should avoid.

There was no avoiding the heavy from the last act of the day, Modern Day Addiction.

Blasting their way through a bevy of covers like TNT, Fuel, Dio’s Holy Diver, and a great version of Tainted Love, a song made famous a quarter-century ago by Soft Cell, they also threw in some great original stuff. The mosh pit was in full effect while they were playing, even if it was only a couple people.

There have been a couple years where the company was ready to go by the time MDA played, so I was glad to stick around this time.

Of all the acts and all the love they had for the cause, though, there was one thing sadly missing. My friends Jim and Michele Hogsett used to play this event annually, whether as part of Semiblind or as solo performers (and sometimes both.) Regular readers of mine know Michele lost her battle with cancer late last year (WLR volume 67 covered her memorial concert) and it’s hit Jim hard, so keep him in your thoughts and prayers. I definitely missed him at CRS, and I’m sure the Cliftons did too.

But they promise “a few exciting changes” for next year, so I hope to see you out there. Great music for a great cause is always good.

As a programming note: you won’t have to wait as long for WLR volume 69. It will truly be a weekend full this time.

Weekend of local rock volume 67

January 16, 2016 · Posted in Delmarva items, Local Music, Personal stuff · Comments Off on Weekend of local rock volume 67 

Over the years I’ve noticed the local music community is more than willing to help out and I’ve been to several of these benefits over the years. But last Saturday it was time to assist one of their own and pay tribute to a special woman who was a great example of this willingness to help out her community.

In December Michele Hogsett finished her seven-year battle with breast cancer. Some may know her as the lead singer of Semiblind and the duo Dog & Butterfly, others as DJ Siren, and still others as the woman who put together the annual (Save the) BreastFest until this past year when she became too ill to continue. But four bands volunteered their time to help her husband Jim out with all the expenses incurred.

The board I began the post with was one of several that were placed in the venue. They are a great memorial in photos to Michele’s life so I’ll use them to divide this piece up.

I got there about a half-hour late, so I arrived about halfway through Fish Whistle’s set.

The trio, which has a former member of Semiblind in drummer Mike Edgerton, played a set heavy with Pink Floyd and Van Halen, among a host of other favorites. They set a good tone for the rest of the show.

If you can’t read the banner behind them, I’ll let you know Black Tide Rising was the next band up.

They were a little heavier on 1970s stuff, but they had help from Susan Witchey (who sings for the band Witches Brew) on the old Grand Funk Railroad classic I’m Your Captain (Closer to Home).

BTR also included some songs you don’t hear every day, such as Silent Running by Mike & the Mechanics. It was funny because he said he’d buy a drink for anyone who knew the song – I could remember the title but had to Google the band.

The Breakers were the penultimate band for the evening. They went back another decade, starting out with a Beatles song. Soon after, Susan was helping them out with much of the set.

Speaking of cool cover tunes, I seem to recall their last song was Hymn 43 by Jethro Tull. Years ago a friend of mine gave me the record – still have that vinyl somewhere in a closet.

There were a few cool things available in a silent auction, too.

Between these and the 50/50 raffles, there was a nice amount raised. During the breaks, we also heard from some friends of Michele and Jim who gave testimonials to her character. One piece of news that cheered me was the vow to bring back BreastFest after last year’s hiatus. It was a great part of Delmarva Bike Week and had become a recognized auxiliary event.

The last band of the night was Lime Green. Is this shot rock and roll or what?

I just love that dry ice fog machine.

I will also tell you that the lighting and sound at the OC House of Rock was very well done. They really, really loved that green lighting for Lime Green (naturally.)

Lime Green did a veritable potpourri of songs, everything from TLC’s Waterfalls to Folsom Prison Blues. Susan jumped in for some on their set as well.

They also played an original they’re planning on shooting a video for this spring at Pemberton Park outside Salisbury. So what is it called? Pemberton Park, of course.

Afterward, a lot of people stuck around to wish Michele’s husband Jim well. Jim didn’t bring his guitar for this show, but I’m hopeful he can carry on with his music as the grieving process continues. While Semiblind was better known as a cover band, Jim and Michele wrote and recorded a number of originals as well. Maybe Michele’s legacy can carry on as the inspiration for new music.

No use letting cancer defeat two talents, I say.

Weekend of local rock volume 66

October 25, 2015 · Posted in Delmarva items, Local Music · Comments Off on Weekend of local rock volume 66 

(As opposed to Order 6-D6, a long-defunct local group I really liked.)

I’m not going to stretch the definition of local too much with this much more brief look back at the Autumn Wine Festival, but it will do a lot of bending to the rock part. Here’s the six-band lineup over the two days.

We  got things underway with alex&shiloh, who perhaps were the most conventIona’ acoustic group there insofar as style and playlist. I think they have done the bar stage at the Good Beer Festival, which is a handy measuring stick for that sort of thing. You’ll have to deal with the sun-splashed photos – the stage faces more or less northwest so the sun is behind it most of the day.

They yielded to the familiar local strains of Randy Lee Ashcraft. He’s been around long enough to become a legend around these parts by being not quite country but not so much rock, either. Just good listening, I guess.

Last up on a pleasant Saturday was Front Page News, which cranked out a number of familiar tunes.

They had the biggest crowd of the weekend.

Sunday started with its perennial opening act, the Backfin Banjo Band. They always start out with standards and take requests.

Instead of playing the middle on Saturday as they did last year, Such Fools played their unique style on Sunday.

We wrapped things up with the danceable On The Edge, and we needed something to dance to just to stay warm as the temperature struggled to get above 50 and we endured a couple brief showers while they were up.

Originally I thought the Sunday lineup was exactly the same as last year, but upon further review I found Such Fools switched days. Still, out of six bands three were holdovers from 2014. In fact, it seems like the turnover for the event is shrinking, and the last non-local act they took a chance with was Tim Reynolds and TR3 two years ago. Certainly I’m the first to support local music, but variety is the spice of life and the AWF used to bring in some interesting acts – onetime Bad Company touring bassist Paul Cullen played here a few years back, as I recall.

By design the Autumn Wine Festival features many of the same Maryland-based vineyards year after year. But does it have to keep the same bands, too?

Weekend of local rock volume 65

October 23, 2015 · Posted in Delmarva items, Local Music · Comments Off on Weekend of local rock volume 65 

I know it’s been awhile since I’ve done one of these, and what once was a monthly (or sometimes weekly) feature is down to two or three a year. As a guy I know would say, that’s a shame.

I also know it’s unusual to have WLR on a weekday, but this weekend I’m going to take a break from politics and do an all-music weekend – WLR today and Sunday sandwiching a music review tomorrow. Next week you may get the treat of two because I have a backlog of music to review. Besides a somewhat humdrum municipal election, it’s a quiet political time right now.

I’m starting with an event that’s become somewhat of a musical dynamo thanks to its two-stage setup, the Good Beer Festival. It featured twelve acts, with the bar stage primarily hosting acoustic acts while the main stage had full bands.

Bear in mind I also work the event so I don’t get to hear every song. Some of these are more detailed than others, but I always like to lead with the schedule to help keep track.

So I begin with the acoustic stylings of Phil Portier, who opened up on the bar stage. I will say I knew the Joe Jackson song he opened with so I could insert the “where?” at the proper place.

On the other end as Phil wrapped up was Paper To Planes, an acoustic duo hailing all the way from Kansas City.

I believe Don Adler was playing the GBF for the second or third time. But I didn’t get to see him play the unusual instrument at his feet.

Sam Birchfield was the first group where I noticed the merch table.

The Coteries at the bar stage also had merch. The New Jersey-based trio was disappointed they didn’t get to enjoy more of the event because of New Jersey traffic. They have several shows set up, which you’ll see if you look closely.

Wrapping up things on Saturday were local favorites Uprizing.

Having a local group to close in the prime slot was a little unusual. Previously they had reserved it for an up-and-coming band touring the region. I’m not sure if this will be a trend, but I liked the old approach better.

Whiskeybelly got Sunday started with an acoustic/electric combo – and a couple broken strings, which they laughed about.

On the other side, the GBF went country with the local group Haleytown – population 5. (The sign is a neat touch.)

Chris Diller set CDs and stickers at each table, and hoped people would fill the guitar case.

It always intrigues me how a guy can play so many instruments at once – needless to say, I can’t carry a tune in a bucket.

On the main stage was the group I thought stole the show, Sub-Radio Standard. It was the group I would have expected to close out Saturday.

Ken Wenzel was the headliner, if you will, of the bar stage. He played songs off the CD.

The Will Overman Band did their country best to wrap things up. I wish I had slipped around backstage to get a photo of “Big Red” – a 1970 Chevy Suburban they tour in.

So I was a little loose with the definition of “rock” in this one. Next year may be the year to just put the rock bands on Saturday and the country stuff on Sunday, since it seems to be getting about equal billing now.

On Sunday I look at the music from the Autumn Wine Festival.

Judging the revamped Wicomico County Fair

August 17, 2015 · Posted in Business and industry, Delmarva items, Personal stuff · Comments Off on Judging the revamped Wicomico County Fair 

For many years the Wicomico County Republicans have been proud participants in the Wicomico County Farm and Home Show. But after last year’s sparsely-attended rendition, it was decided a change was needed.

In reading last year’s feature, the comment was made that they needed more people to help out. Enter the Salisbury Chamber of Commerce, who had the rights to the old Delmarva Chicken Festival, and the re-christened Wicomico County Fair was reborn in its 79th year. So how did it go?

There was still a lot of tradition there…

…but they kept what was good about the old event and added a lot more.

One of those holdovers drew a lot of spectators on Saturday evening, as they kept the Cowboy Mounted Shooting event.

The idea is to shoot the balloons off the cones in as quickly as possible. On a horse. I suppose it’s a little easier on us humans than to run through the sand ourselves and do it, and a better spectator sport.

As I said last year, though, it would be interesting to get a more full-fledged competition. Maybe next year.

But there was a lot which was new and improved. One thing dragged out of mothballs was the giant frying pan made famous at the Chicken Festival.

I’m sure this sponsor has been there all along, but the chicken tie-in was surely encouraging for them.

The fair also included a “beer garden” for the first time, although it was more of a standard food court. Ice cream was among the favorites, and you couldn’t miss the rhythmic sound of this motor they used for churning.

This area, however, also presented a opportunity to vastly expand the musical entertainment as a number of local bands played the fair. The Barren Creek Band was among those that played Friday evening.

On Saturday night Red No Blue was the opener for Petting Hendrix. They were wrapping up as I was leaving.

Another area that was a noticeable draw was the variety of kids’ activities. Those kids who exhibit goats, sheep, or cattle need to have a little playtime, too. It was more than my cell phone could get in one shot.

Truth be told, given the nice weather and the additional interest, those exhibitors who used to be inside but were outside this time around – such as the National Aquarium and Maryland Right to Life – likely had more traffic than the Republican Club had inside the exhibit hall.

One thing I didn’t get a picture of was their display, but the club did. It’s not a state election year so we didn’t have a lot to stack up.

I thought this sign belonged there, though.

Since both of them are Republicans, we could lay claim to it but it was actually the county’s sign that was placed across from us.

Finally, speaking of judging, there seemed to be more entries this year in the photography contest. I entered a handful of photos but no ribbons for me this time. Maybe next year.

But if I were to give out ribbons for most improved local event, I think the Wicomico County Fair would be a recipient. I’m glad there was some new life breathed into this venerable event and hope its 80th edition next year will be even bigger and better.

Weekend of local rock volume 64

May 30, 2015 · Posted in Delmarva items, Local Music · Comments Off on Weekend of local rock volume 64 

Last weekend was a good weekend for local music buffs, particularly in the Long Neck, Delaware area. I’ve often wondered if those people who live by American Legion Post 28 there sit outside on the Sunday of Memorial Day weekend and listen in. Of course they could just come on down, too.

Anyway, the Concert for a Random Soldier began at noon but since we were still in church at that time we were casually late enough to get there just in time for the longtime event staple 33 1/3 to wrap up; meanwhile, one of the acoustic acts played while we grabbed some lunch.

So band number one on my agenda was Pros from Dover.

Despite the name, none of them are from Dover. The name is actually a reference from the book version of M*A*S*H.

They played somewhat of a country-tinged set in song selection, which was fine for an event which generally works its way from oldies to classic rock to heavier and more modern as the day turns to evening.

Speaking of country, you can’t beat the unusual start to the set of Slinging Daisies.

It’s probably been 25 years since I heard the old C. W. McCall chestnut “Convoy” and it wasn’t a cover band that did it. They did a set that featured a handful of originals, but also played the song that’s tradition at the Concert for a Random Soldier: “Paint It Black” from the Rolling Stones.

The reason this song gets Terri Clifton onto the dance floor is that it was her son Chad’s favorite song.

Another band that’s been doing the CRS annually in recent years is Judy Sings the Blues. They come as advertised, playing a number of standards and one original about Judy’s fear of spiders.

One band that didn’t come as advertised was Semiblind. Due to an unfortunate series of mishaps, the band was truncated down to its founding members Jim and Michele Hogsett. These longtime staunch supporters of the CRS played instead as their acoustic duo Dog & Butterfly.

DSCF0994

Things then got a little funky, as Conjunction Funktion took the stage with some brass.

Again unusual for a cover band: how many would lead off with “Josie” by Steely Dan? These guys did.

Sadly, we had to leave as Conjunction Funksion played so I missed the band I would have liked to check out, Modern Day Addiction. Besides those guys and 33 1/3, other bands on the bill were Oh Boy, JB Duo, Beach Trip, Captain Mike, and The Runner-Ups. Several of these also have played the event in recent years, and they should be thanked for supporting the Guitars for Vets cause.

So next year, on the Sunday of Memorial Day weekend, the 11th annual CRS will likely feature a number of these same acts for a day of music, food, and fun.

Third Friday, April 2015

Trust me, I like going to 3rd Friday, particularly the outdoor version. But last night they had a special guest who brought a few of his friends.

I have Mary Beth Carozza to thank for that photo, but as you can see it’s a bipartisan gathering. In fact, he even brought Salisbury’s mayor and Wicomico County’s executive together.

But they were on a relatively tight schedule, as the Greater Salisbury Committee dinner was slated the same night. So it was interesting watching the parade of state and local pols roll up one side of the Plaza and down the other, greeting friends along the way. If you weren’t there by about 6:30 you missed most of that excitement.

But 3rd Friday is maintaining its newfound status as a place to be.

I didn’t see a whole lot of people with beer, perhaps because it was Breakfast time.

Because I walked around and didn’t stay for the whole event, this won’t rise to the level of a Weekend of local rock segment. But I found Breakfast surprisingly enjoyable with their mix of covers and originals. (That sounds sort of strange, but I’l go with it.)

They certainly were better than most of the karaoke I heard as I circulated around the state convention prelude at the Princess Royale in Ocean City. Originally it was going to be one long post, but I decided to leave things there and pick up that side of the story in the morning.

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