To read the actual story of Kevin West’s life – or at least the biography he provides with his upcoming release, slated to drop June 15 – you would see that he’s never really settled into a location, or for that matter a musical genre. (Speaking of changing locations, it’s a shame he stopped updating his travel blog because it was interesting reading.)
Anyway, this is something I may have expected from a musician just starting out, but this upcoming six-song EP will be West’s fifth album spanning eighteen years. So this variety is a little bit perplexing, but I give him credit that he’s all but abandoned hip-hop, a career direction he attempted in the mid-aughts.
His soon-to-be-released compilation begins with a song called Best of Mine, which I thought was kind of a mashup between rock and country. It’s something like Neil Young may have tried, but didn’t come across quite as well to me. (There’s a video out for the song, but it didn’t want to embed into my post. Perhaps that’s a setting on his end; regardless I could only link.) This leads into what I thought was the best song of the six, the bluesy and boozy One Too Many.
After that, it’s a mishmash of styles – sometimes within one song. Those who like traditional country overtones might be into My Only Sunshine but it’s the sudden morphing of the saccharine Sweet Innocence into a jarring hip-hop style toward the end that really bothered me – not that it was playing out as anything overly special but just the placement and juxtaposition was too much.
Kevin then makes another changeover on the final two songs, grabbing a horn section and going to a jazzy feel on the title track Story Of My Life and instrumental Not For Nothin’. One distinction about this EP is that it has well-versed players on it – while Kevin didn’t always have the same personnel on each cut, he employed solid musicians (and Whitney Hanna, who was a good female backup singer) to create the EP, which he co-produced. Aside from the wrong move on Sweet Innocence, I can’t complain about the production aspect within songs. But the variance makes me wonder if Kevin will ever come up with a distinct sound of his own or keep trying on different things to keep up with some unknown set of musical Joneses he believes will be his meal ticket.
Or perhaps Kevin will ever be the traveling musical troubadour, sometimes living out of his van as he tours the country, jamming and playing for awhile in bands along the way. It may be the story of his life, but let’s hope this EP isn’t the final chapter because I think Kevin can find a better direction with his talent. And since I can’t share anything aside from the video, maybe the best place to judge for yourself would be his website or social media. Perhaps that changes two weeks hence.