Best laid plans of mice and men, right? I was hoping to get to this sooner and get it off my plate, but like I said back in part 1 I had some listening to do so it took a wee bit longer than I thought.
So when I left y’all, I was just about to talk about the bands that made my top 5 in 2017, which then would begin with the “indie protest band” Revolushn. They’re still at it, pointing to the release of a new album later this year that will likely follow in the vein of a messy but enjoyable single they put out in 2020 called Electric.
Next up for 2017: I’m going to skip ahead to 2019 a bit, because Rich Lerner and the Groove was one of two bands to appear twice on my Top 5 list. They’re just days away from Groove Jam X, the annual event they put on to assist food banks around their Greensboro, North Carolina home. After having to do Groove Jam IX online thanks to the CCP virus, they were excited to return to Doodad Farm and return to an outdoor show. Pray for good weather and a bumper crop of donations to feed their local hungry families. Sure, the band does the occasional show otherwise but this seems to be their main focus now.
Unfortunately, I think Justin Allen and the Well Shots have gone on a permanent hiatus because their last social media dates to 2018. And while Free Willy is still on social media, there’s been no new music or shows to report from them as a group.
Finally for the 2017 crop, Freddie Nelson stayed busy during the COVID shutdown with several live streams and recorded a version of a Leonard Cohen song called Hallelujah. It was a jarring departure from his usual upbeat style, stripped down to his tuned-down electric guitar and vocals.
Compared to the 2017 honorees, though, the 2018 group has been busy beavers.
Let’s start with Maxwell James, who put out a very enjoyable and dramatic 4-song EP called “Wheels” back in 2019 that, according to my Spotify chart on number of plays, didn’t attract nearly as much notice as it deserved. He’s an artist that could be at home in an adult contemporary type of venue like the Freeman Stage.
Geoff Gibbons has released a few country-tinged singles since we last checked in on him, with the latest being Keep On Drivin’ from 2020. But according to Spotify, his most successful was 2019’s Lately. He’s also been busy in a duo called KaseoGems and playing in a band with one of the best names I’ve heard in awhile, New Yank Yorkies.
Peak has an upcoming album in the works called “Choppy Water” and has done a number of regional dates to support its eventual release.
While Jared Weiss hasn’t been making music in the traditional “let’s get a band together, hit the road, and make an album” sense, he’s still been busy compiling an “interpretation” of Bob Dylan that’s played in New York since 2019 and is slated for a national tour in 2022. So his solo stuff seems to be on the shelf.
Justin Shapiro moved himself from the DC area to south Florida and has kept himself occupied doing solo gigs every weekend. Nice work if you can get it. Musically, 2020 brought a full-length album called “Away In Your Dreams” that I’m certain makes up a part of his shows. If there were a 2020 top 5, it’s likely his album would have been a contender thanks to his brand of groove rock (with the occasional ballad) that reminds me of an edgier Jimmy Buffett. (Maybe that’s why south Florida works for him?)
On to my last year of 2019, which is shorter because I had two reruns of artists who had been featured before. It gets even briefer because we haven’t heard much from Future Thrills since the pandemic began, and the local music scene isn’t too conducive to more activity.
Of course, you could create your own music scene by going on tour, and that’s what Benny Bassett is doing. He was all over the western part of this country over the summer playing everything from clubs to private parties, presumably soliciting support for a new album upcoming in 2022. I guess I need to get on better guest lists to be at parties where Benny is.
Finally, Lord Sonny the Unifier released a four-song EP last fall called “All New Information.” While they claim their sound has “evolved with the times” there comes a point where it’s a little too fuzzed-out and inaccessible, a weird mix of goth rock, New Wave, and random noise. Still like the guitar parts, though. Regardless, they’re working on new projects as we speak.
That, then, is the wrapup. Thanks to Jake Eddy for giving me the kick in the butt to finally finish this, nine months overdue. Since it took so long to get this one I will likely hold off on the next one until early 2023, if I don’t forget.